| Dada & Surrealism (20th Century)
Post WWI European and American Art Movements As beautiful as the chance encounter of a sewing
machine and an umbrella on a dissecting table.
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DADA: artistic and literary movement reflecting a widespread
nihilistic protest against all aspects of Western culture, especially against
militarism during and after World War I (1914-1918) [from Dada
}.
SURREALISM, n. Pure psychic automatism, by which it is
intended to express, verbally, in writing, or by other means, the real
process of thought. Thought's dictation, in the absence of all control
exercised by the reason and outside all aesthetic or moral preoccupations.
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| WWW Links:
Dada and Surrealism Association for the Study of Dada and Surrealism |
Major Practitioners:
Louis Aragon | Jean Arp | André Breton | Giorgio di Chirico | Salvadore Dali | Paul Delvaux | Robert Desnos | Marcel Duchamp | Paul Eluard | Max Ernst | René Magritte | Benjamin Peret | Francois Picabia | Man Ray | Philippe Soupault | Kurt Schwitters | Yves Tanguy | Un chien andalou (IMDB) “I believe the moment is at hand when, by a paranoiac
and active advance of the mind, it will be possible . . . to systematize
confusion and thus help to discredit completely the world of reality.”
“[Surrealism is] a method by means of which we may
accept the enigmas of existence and in daily living learn to transcend
impotencies, contradictions, wars.”
“The vice called . . . surrealism is the immoderate and
passionate use of the drug which is the image.”
“[The Surrealists] looked upon the unconscious as a marvelous,
undiscovered world of human experience, a world in which human reason did
not play the commanding role and in which it was therefore possible to
look for the means of total liberation for the human spirit.”
“The marvelous is always beautiful, anything marvelous
is beautiful, in fact only the marvelous is beautiful.”
“It seems clear that precise and charming evocations of
mystery are furnished best by images of everyday objects combined or transformed
in such a way that their agreement with our preconceived ideas, simple
or sophisticated, is obliterated.”
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