|
"24:
Jumping the Shark Every
Minute" (column from
Flow) |
50 Key Television Programmes:
Buffy the Vampire Slayer
(essay in reference book) |
50 Key Television Programmes:
The Sopranos
(essay in reference book) |
|
50 Key Television Programmes:
Twin Peaks
(essay in reference book) |
50 Key Television Programmes:
The X-Files
(essay in reference book) |
“Adapted
Lives: Literary into Cinematic Autobiography in Recent Film”
(conference paper) |
|
"Aesop
After Darwin: The Radical Anthropomorphism of
The Far Side"
(essay in
Studies
in Popular Culture) |
"The
Allusions of Television" (column from
Flow) |
"Angel
and Doll" (unpublished poem) |
|
"The
Anti-Gnosticism of E. M. Cioran" (chapter in
Late for the Sky) |
"Apocalyptic
Apocalypses: The Narrative
Eschatology of
Buffy the Vampire Slayer"
(essay from
Slayage:
The Online International Journal of Buffy Studies) |
“Billy
Jack” (entry from
The
Encyclopedia of Native American Literature) |
|
“’Body’s
Earth’: H. E. Francis’ ‘Balad of the Engineer Carl Feldmann”
(chapter from
Late for
the Sky) |
"Bright
Logic" (unpublished poem) |
“Can
This Be the End of Tony Soprano?” (essay from
Reading
The Sopranos) |
|
"Johnny
Carson" (chapter in
American
Icons) |
"Centered
in the Eccentric: The
Imagination of Bill Forsyth" (conference paper) |
"Chagallite"
(unpublished poem) |
|
“Climate
Change: Editing Series Television Books” (essay from
Critical
Studies in Television) |
“’Coming
Heavy’: Intertextuality and
Genre on
The Sopranos” (essay from
PopPolitics.com) |
“Coming
Heavy’: The Significance of
The Sopranos"
(essay from
This
Thing of Ours) |
|
"The
Crying Game: Why Television Brings Us to Tears" (essay in
Flow) |
"Cutting
the Tongue: Bi-Lingualism and
the Discovery of Voice in Richard Rodriquez'
Hunger of Memory and
Maxine Hong Kingston's
Woman Warrior" (conference paper) |
“Deconstruction
at Bat: Baseball vs. Critical Theory in
Northern Exposure’s
‘The Graduate’” (essay from
Critical
Studies in Television) |
|
"The
Delicious Progress: Whiteness
as an Atavism in 'Silent Snow, Secret Snow’" (essay from
Psychoanalytic Review) |
"Detached
Retinas: 'Camera Man' and the
Private-Eye Film" (essay from
Towards) |
"Dissertations
as Fictions" (essay from
College
English) |
|
"Dropping
the Body:
The X-Files,
Popular
Culture, and Exosomatic Evolution" (essay in conference
proceedings) |
"Due
Back on Planet Earth: Toward a Definition of Spaciness"
(chapter in
Late for the Sky) |
"Electric
Soil" (unpublished poem) |
|
"'Emotional
Resonance and Rocket Launchers': Joss Whedon's Commentaries on the
Buffy the Vampire Slayer
DVDs" (essay from
Slayage:
The Online International Journal of Buffy Studies) |
“Erasing
the Blackboard” (chapter from the unpublished book
Faith
in the Distance: The Wisdom of Loren Eiseley) |
“The
Evolutionary Imagination” (chapter from the unpublished
book
Faith in
the Distance: The Wisdom of Loren Eiseley) |
|
“Fatal
Environment:
Buffy the Vampire Slayer
and American
Culture” (unpublished talk) |
"Felliniesque"
(unpublished poem) |
"Film's
Le Pact Autobiographique" (conference paper) |
|
"The
French Disease: European Memes and the Infection of American Thought"
(talk) |
“From
Cinespace to Cyberspace: Zionists and Agents, Realists and Gamers in
The Matrix and eXistenZ” (essay in
Journal
of Popular Film and Television) |
"Functional
and Dysfunctional Autobiography: John Boorman's
Hope and Glory
and Terence
Davies'
Distant Voices, Still Lives" (essay from
Film
Criticism) |
|
"Generation
X:
The X-Files
and the
Cultural Moment" (co-authored chapter in
Deny All
Knowledge: Reading The
X-Files) |
"The Geneva
School Revisited" (conference paper) |
“The
Genius of Joss Whedon” (afterword to
Fighting
the Forces) |
|
"The
Genius of the Sea: Wallace Stevens' 'The Idea of Order at Key West,'
Stanislaw Lem's
Solaris,
and the Earth as Muse" (essay from
Extrapolation) |
"Gnosticism
and the Cult Film" (chapter in
Late for the Sky) |
"haeccitas"
(unpublished poem) |
|
"’Holy
Fucking Shit’: Profanation, Parody, and Bleeping American Unreality
in
The Onion,
The Daily Show, and
The Colbert Report” (Keynote, Giving and Taking
Offence, University [Power Point Presentation]) |
"Home
Movie
8 1/2: The Beerdrinker's Guide to Fitness and Filmmaking”
(from
Postscript) |
"The
Horror Film and the Horror of Film" (essay from
Film
Criticism) |
|
"How
Barfield Thought" (talk) |
"'I Only Had
a Week': Television Creativity and Quality Television"
(conference keynote address) |
"'I
Wrote My Thesis on You':
Buffy Studies as an
Academic Cult" (from
Slayage:
The Online International Journal of Buffy Studies) |
|
"Imagination
and Insurance: Wallace Stevens and Benjamin Lee Whorf at the
Hartford" (essay from
Legal
Studies Forum) |
"In
the Process of Becoming Real" (unpublished poem) |
"Infinite
Presumption" (chapter in
Late for the Sky) |
|
"Inside/Outside"
(unpublished poem) |
"Into
Question" (unpublished poem) |
"Irony
Irony: The Mission
Accomplished of
The Daily
Show" (column from
Flow) |
|
"It
Dawns on Me: Teaching in the PRC" (unpublished essay) |
"It's
Not TV, It's Magic Realism: The Mundane, the Grotesque, and the
Fantastic in
Six Feet Under"
(essay in
Reading
Six Feet Under) |
"'The
Light Is in Us': Susan Griffin's Method in
Woman and Nature" (conference paper) |
|
"Lines
to be Submitted to the Journal for the Suppression of Reality"
(unpublished poem) |
“Loren
Eiseley and the New Humanities” (chapter from the
unpublished book
Faith in
the Distance: The Wisdom of Loren Eiseley) |
"Lost
in
a Good Story: Serial Creativity on a Desert Island"
(column from
Flow) |
|
"Lost
in the Funhouse: The Dream Life of
The Sopranos"
(conference paper) |
"Magic
Terminal Trip" (unpublished film treatment) |
"Major
Man: Fellini as an Autobiographer" (essay from
Postscript) |
|
“Man
as Longing” (chapter from the unpublished book
Faith in
the Distance: The Wisdom of Loren Eiseley) |
“The
Mark of Cain” (chapter from the unpublished book
Faith
in the Distance: The Wisdom of Loren Eiseley) |
"The
Meme and the Seme" (conference paper) |
|
"The
Mind of Benjamin Whorf" (unpublished essay) |
Movie Review (for
All the
Rage):
Alexander |
Movie Review (for
All the
Rage):
Bad
Company |
|
Movie Review (for
All the
Rage):
Barbershop |
Movie Review (for
All the
Rage):
Barbershop 2 |
Movie Review (for
All the
Rage):
Basic |
|
Movie Review (for
All the
Rage):
Bridget Jones |
Movie Review (for
All the
Rage):
Capote |
Movie Review (for
All the
Rage):
Cinderella Man |
|
Movie Review (for
All the
Rage):
Danny Deckchair |
Movie Review (for
All the
Rage):
Deep
Sea |
Movie Review (for
All the
Rage):
Devil Wears Prada |
|
Movie Review (for
All the
Rage):
Dukes of Hazzard |
Movie Review (for
All the
Rage):
Eight-Legged Freaks |
Movie Review (for
All the
Rage):
Enough |
|
Movie Review (for
All the
Rage):
Everything is Illuminated |
Movie Review (for
All the
Rage):
Final Destination 2 |
Movie Review (for
All the
Rage):
Finding Nemo |
|
Movie Review (for
All the
Rage):
Flight Plan |
Movie Review (for
All the
Rage):
Girl
With a Pearl Earring |
Movie Review (for
All the
Rage):
Harry Potter and the Goblet of Fire |
|
Movie Review (for
All the
Rage):
Harry Potter and the Prisoner of Azkaban |
Movie Review (for
All the
Rage):
Holes |
Movie Review (for
All the
Rage):
The
Hours |
|
Movie Review (for
All the
Rage):
The
Importance of Being Earnest |
Movie Review (for
All the
Rage):
King
Arthur |
Movie Review (for
All the
Rage):
Kingdom of Heaven |
|
Movie Review (for
All the
Rage):
Meet
the Fockers |
Movie Review (for
All the
Rage):
Mona
Lisa Smiles |
Movie Review (for
All the
Rage):
Monster |
|
Movie Review (for
All the
Rage):
Mr.
Deeds |
Movie Review (for
All the
Rage):
Old
School |
Movie Review (for
All the
Rage):
Open
Range |
|
Movie Review (for
All the
Rage):
Ray |
Movie Review (for
All the
Rage):
The
Recruit |
Movie Review (for
All the
Rage):
Robots |
|
Movie Review (for
All the
Rage):
Rockets Redglare! |
Movie Review (for
All the
Rage):
Secret Window |
Movie Review (for
All the
Rage):
Signs |
|
Movie Review (for
All the
Rage):
Shrek 2 |
Movie Review (for
All the
Rage):
Sinbad |
Movie Review (for
All the
Rage):
Taking Lives |
|
Movie Review (for
All the
Rage):
Thunderbirds |
Movie Review (for
All the
Rage):
Two
Weeks Notice |
Movie Review (for
All the
Rage):
V
for Vendetta |
|
Movie Review (for
All the
Rage):
Welcome to Mooseport |
Movie Review (for
All the
Rage):
Windtalkers |
Movie Review (for
All the
Rage):
XXX |
|
"Necessary
Angel" (unpublished poem) |
"Nemesis
and NASA: The American Tragedy of
The Challenger" (chapter in
Late for the Sky) |
"No
Box of Chocolates: The Adaptation of
Forrest Gump" (essay from
Literature/Film Quarterly) |
|
“’No
More Undiscovered Countries’: The Early Promise and Failed
Disappointing Career of Time-Lapse Photography” (essay
from
Film
Studies) |
“’Not
Driving Stick Anymore’: The Naughty Side of
Buffy (unpublished talk) |
"Noticer:
The Visionary Art of Annie Dillard" (essay from
Massachusetts Review) |
|
"The
Odyssey of Loren Eiseley" (chapter from the unpublished
book
Faith in
the Distance: The Wisdom of Loren Eiseley) |
On
Time-Lapse Photography (unpublished monograph) |
"The
Other Side is Myth: William Irwin Thompson, Cultural History, and
the Evolution of Consciousness" (conference paper) |
|
“Out
of and Into the Cave” (unpublished essay) |
"Owen
Barfield: A Readers Guide" (essay from
Seven) |
"The
Pleasure of the Text" (an epistolary fiction) |
|
"Preface" to
Professional Wrestling, the Myth, the Mat, and American Popular
Culture |
“Preferring
Mystery” (chapter from the unpublished book
Faith in
the Distance: The Wisdom of Loren Eiseley) |
“Prehistory”
(from
Teleparody) |
|
“Primate
Autobiography” (chapter from the unpublished book
Faith
in the Distance: The Wisdom of Loren Eiseley) |
"The
Real Two Cultures" (chapter in
Late for the Sky) |
"'A
Religion in Narrative': Joss Whedon and Television Creativity"
(essay from
Slayage:
The Online International Journal of Buffy Studies) |
|
"Remote
Control: Mythic Reflections" (essay in
Journal
of Popular Film and Television;
reprinted in
The
Remote Control in the New Age of Television) |
Review of
Action TV (unpublished review) |
Review of
Astrid Diener,
Owen Barfield's Early Work
(from
Mythlore) |
|
Review of
Billion Dollar Kiss: The Story of a Television Writer in the
Hollywood Gold Rush
(from
Studies
in Popular Culture) |
Review of
Californication and Cultural Imperialism: Baywatch and the Creation
of World Culture,
ed.
by
Andrew Anglophone
(from
Teleparody) |
Review of
Cogito Ergo Sum: The Life of René
Descartes (from
Georgia
Review) |
|
Review of
Inside Prime Time
and
Teleliteracy
(review in
Television Quarterly) |
Review of
Television: Critical Methods and Applications
(review in
The
Review of Communication) |
Review of
The Television Genre Book
(review in
Television and New Media) |
|
Review of
Television Histories
(review in
Television Quarterly) |
Review of
Television Tie-In Books (review in
Television Quarterly) |
Review of
TV Creators,
Vol. 2
(review in
Television Quarterly) |
|
"Revolution
of the Earth" (chapter in
Late for the Sky) |
"Re-Weaving
the Rainbow: The Achievement of Owen Barfield”
(unpublished essay) |
"Rooted
in the Absence of Place: The Odyssey of Loren Eiseley"
(essay in festschrift for Howard Gruber) |
|
“Rooted
in the Absence of Place” (chapter from the unpublished
book
Faith in
the Distance: The Wisdom of Loren Eiseley) |
"Same-o,
Same-O: Eternal Recurrence in
Groundhog Day"
(essay from
Studies
in Popular Culture) |
"The
Semiotics of Cobbler:
Twin Peaks'
Interpretive Community" (introduction from
Full of
Secrets) |
|
“’The
Shadow of His Equipage’: Loren Eiseley and Animals”
(chapter from the unpublished book
Faith in
the Distance: The Wisdom of Loren Eiseley) |
"The
Soul of Andy Sipowicz" (essay in
PopPolitics) |
"Space
Boosters: Reflections on the Marketing of Unearthliness"
(essay from
Etc.:
The Journal of General Semantics
and chapter in
Late for the Sky) |
|
"The
Streets of Shanghai: Totalitarian Driving in a Classless Society"
(essay) |
"To
Hear Us Talk" (chapter in
Late for th |